Each episode focuses on one of them as the story moves along: The sister, the detective, the mistress, etc. No thanks!Īgain, Clickbait starts off by flirting with some compelling thought exercises, but it’s flattened by paper-thin characters. It’s like someone heard a podcast about deep fakes, watched an episode of Law & Order, remembered Catfish exists, and then wants to explain The Unified Theory of the Internet Today to you three drinks in. It takes a kitchen sink approach to its storytelling, alighting on everything from expectations of privacy and data collection to catfishing, content moderation, revenge porn, and more-but doesn’t make a real point about any of it.
#Clickbait netflix rating age series
Any of the interesting ideas raised by the series are subverted not to make us question our relationship with online media, but to undermine any decent point the series might have made. Is the man they know and love an abuser? Possibly a killer? Can they understand, perhaps, the vigilante’s motives?īut again, like a good (read: bad) clickbait article, once you get in there, it’s all nonsense. But there’s also a question of how they grapple with what the video suggests. Family man Nick Brewer (Adrian Grenier) is kidnapped, beaten, and forced to hold up cards for an internet video that claim “I abuse women” and “I killed a woman.” As if that wasn’t provocative enough, it ends with: “At 5 million views I die.”įrom there, Nick’s wife Sophie (Betty Gabriel), his sister Pia (Zoe Kazan), and his sons Ethan (Cameron Engels) and Kai (Jaylin Fletcher) work with police and race (or amble, really) against the clock to try and track down who made the video and where Nick is now.
Like a good (read: bad) clickbait article, Netflix’s new eight-episode miniseries Clickbait draws you in with a compelling premise.
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